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Abstract
Jaran Kepang Turonggo Budoyo is one of the Jaran Kepang performing arts which was founded by the people of Sapikerep Village, Sukapura District, Probolinggo Regency as an effort to preserve the culture of the Tengger Tribe community. As the Tengger Tribe people who live in the Probolinggo Regency area, the geographical and socio-cultural conditions also influence the cultural color of the Tengger Tribe people who live in the area and produce various cultural hybridities, including in the field of culture. This research aims to determine the hybridity of the Jaran Kepang Turonggo Budoyo culture as a cultural preservation of the Tengger Tribe community. This research method uses field methods, namely case studies. Data collection techniques were carried out through interviews, observation and literature study. The analytical method used in this research is an interpretive qualitative method which is using a cultural studies analysis model. The results of this research are that the cultural hybridity that occurs in the Tengger Tribe community who live in Sapikerep Village, Sukapura District, Probolinggo Regency has influenced all aspects of the community's life. One of them is the cultural aspect in the field of performing arts, namely Jaran Kepang Turonggo Budoyo. The cultural hybridity that occurs in Jaran Kepang Turonggo Budoyo is a form of cultural preservation in the field of performing arts as an effort to maintain the preservation and resilience of the Tengger Tribe's culture.
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References
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References
Barker, Chris., Jane, Emma. (2021). Kajian Budaya Teori dan Praktik Edisi Kelima. Yogyakarta : Pustaka Pelajar.
Bellehumeur, C. R. (2020). The relevance of durand’s anthropological framework of imaginary in the understanding of the paradoxical dimensions of frontiers and boundaries. Journal of Anthropological and Archaeological Sciences, 2 (3) https://doi.org/10.32474/jaas.2020.02.000136
Cassier, Ernst. (1987). Manusia dan Kebudayaan: Sebuah Esai Tentang Manusia. Terjemahan Alois Nugroho. Jakarta: PT. Gramedia.
Endraswara, Suwardi. (2012). Agama Jawa : Menelusuri Jejak Spiritualitas Jawa. Yogyakarta: LEMBU JAWA (Lembaga Budaya Jawa).
Hadi, Y. Sumandiyo. (2006). Seni Dalam Ritual Agama. Yogyakarta : PUSTAKA.
Hadi, Y. Sumandiyo. (2005). Sosiologi Tari Sebuah Telaah Kritis yang Mengulas Tari Dari Zaman ke Zaman: Primitif, Tradisional, Modern Hingga Kontemporer. Yogyakarta: PUSTAKA.
Kusmawati, Hermin A.M. (1990). Makna Tari Dalam Upacara Di Indonesia, dalam Pidato Ilmiah. Dien Natalis ke IV Institus Seni Indonesia Yogyakarta. Yogyakarta: Sabtu, 21 Juli 1990.
Mauricio, David E. (2002). Jaranan of East Java: An Ancient Tradition In Modern Times. United State of America : University of Hawaii.
Minarto, Soerjo Wido. (2002). Dasar-Dasar Komposisi dan Koreografi. Malang: Universitas Kajuruhan (tidak dipublikasikan).
Radhia, Hanifati Alifa. (2016). Dinamika Seni Pertunjukan Jaran Kepang di Kota Malang. Jurnal Kajian Seni Volume 02, Nomor 02, April 2016: 164-177.
Ratna, Nyoman Kutha. (2010). Metode Penelitian Kajian Budaya dan Ilmu Sosial Humaniora Pada Umumnya. Yogyakarta : PUSTAKA PELAJAR.
Simatupang, Lono. (2013). Pergelaran : Sebuah Mozaik Penelitian Sosial Budaya. Yogyakarta: Jalasutra.
Sudarsono. (1981). Tari-Tarian Indonesia I. Jakarta : Proyek Pengembangan Media Kebudayaan, Direktorat Jenderal Kebudayaan, Departemen Pendidikan dan Kebudayaan.
Trisakti. (2013). Bentuk dan Fungsi Seni Pertunjukan Jaranan dalam Budaya Masyarakat Jawa Timur. Prosiding The 5th International Conference on Indonesian Studies: Ethnicity and Globalization. Universitas Negeri Surabaya (2013): 377-386.
UK Guide to Performing Arts (2006) (2nd Revised edition). United Kingdom : The Prince Partnership.